Tuesday, September 01, 2009
Beachdown ballsup - Concorde 2 saves the weekend
Well it wasn't entirely unpredictable that the Beachdown festival would go to pot. Blaming Brighton people or the recession is a bit lame - it's your reputation that cuts it. Cancelling the Fringe Festival tent in May with a week to go, leaving local contractors from last year unpaid or paid months later, and a lineup that could have been interesting-ish fifteen years ago (Ocean Colour Scene excepted - puh-leeze!) all militated against the event.
So more power to Concorde 2 who picked up the local bands scheduled to play, and created a 3-day Bank Holiday free festival.
Personal highlights were the marvellous Gloria Cycles, Puncture Kit (pictured above) who plays drum 'n' bass on his bicycle, Marina Celeste (sometime of Nouvelle Vague) and peace 'n' love reggae from Rebel Control, who were perfect for a scorchingly hot afternoon. A great atmosphere, lots of goodwill and a sterling example of how people in Brighton can actually get their shit together when they try.
So more power to Concorde 2 who picked up the local bands scheduled to play, and created a 3-day Bank Holiday free festival.
Personal highlights were the marvellous Gloria Cycles, Puncture Kit (pictured above) who plays drum 'n' bass on his bicycle, Marina Celeste (sometime of Nouvelle Vague) and peace 'n' love reggae from Rebel Control, who were perfect for a scorchingly hot afternoon. A great atmosphere, lots of goodwill and a sterling example of how people in Brighton can actually get their shit together when they try.
Labels: Beachdown festival, Brighton Festival May 2009 East Sussex UK Britain England art culture performance live gig, Concorde 2
Monday, May 11, 2009
Breaking News, Theatre Royal Brighton
This was always going to be one of those shows where you never quite know what to expect, and you suspect the people onstage don't either.
Set in the plush surroundings of the Theatre Royal, Breaking News stripped the stage back to the bare walls, with a bank of TV monitors, cables and racking to bring us a riff on today's news from around the world.
Real-life journalists from Russia, Germany, India, Syria, Iceland and South America took us through that night's 8 o'clock news from their own country, describing the top news stories, stopping and rewinding to return to noteworthy stories, changing channels around the region to find something more interesting (it was s slow night for news), bouncing back and forth between each other.
This was interspersed with autobiographical details about each individual's career in the media, and readings from ancient Greek texts about the Persian wars, the context the modern parallel with the war in Iraq, and being a story of the bringing of bad news.
However, coming in at more than two hours in length with no break, the show could have done with some judicious editing, requiring as it did extreme concentration from the viewer. The Persian war readings just reduced those sequences to a snail's pace and added an extra unnecessary layer to an otherwise challenging show with an original and fascinating premise.
Set in the plush surroundings of the Theatre Royal, Breaking News stripped the stage back to the bare walls, with a bank of TV monitors, cables and racking to bring us a riff on today's news from around the world.
Real-life journalists from Russia, Germany, India, Syria, Iceland and South America took us through that night's 8 o'clock news from their own country, describing the top news stories, stopping and rewinding to return to noteworthy stories, changing channels around the region to find something more interesting (it was s slow night for news), bouncing back and forth between each other.
This was interspersed with autobiographical details about each individual's career in the media, and readings from ancient Greek texts about the Persian wars, the context the modern parallel with the war in Iraq, and being a story of the bringing of bad news.
However, coming in at more than two hours in length with no break, the show could have done with some judicious editing, requiring as it did extreme concentration from the viewer. The Persian war readings just reduced those sequences to a snail's pace and added an extra unnecessary layer to an otherwise challenging show with an original and fascinating premise.
Labels: Brighton Festival May 2009 East Sussex UK Britain England art culture performance live gig
